Find current Auditions in your area
Online Sketch Comedy TV Series
- Project
ID # 69908
| Project Type |
Commercials
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Submission Type |
SRN
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| Location |
New York , NY |
Union |
Non-union
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| Rate/Pay |
n/a
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Release Date |
12-04-06
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| Audition Date |
12-31-69
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Submission Deadline |
12-18-06
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| Shoot Date |
12-31-69
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| Casting Category |
Internet
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| Market(s) |
New York City, NY |
Online Sketch Comedy TV Series
This project is slated for immediate multimedia global distribution.
Please send headshot/resume in the body of the email. NOT as an attachment!
This is a self-response notification (SRN).
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Seeking 10 talent(s) for this role
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We are looking for individuals who have skills in stand up(impersonations,mannerisms etc..),physical/combat(prat falling, slapstick etc..) & improv comedy. And/or any freakish physical attributes that could be used for comedic purposes.
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Searchable talent specs:
Gender: Male Female
Age: from 18 to 65 |
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Casting Notice
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Levine, whose Met contract has just been extended through the 2010-11 season, has a majestic, almost Wagnerian view of Mahler, favoring grandeur over emotion Review: Levine Leads Last Met Performance
May 24, 9:23 PM EST
Mahler's Ninth Symphony often is used for farewells, and the Metropolitan Opera's final performance of the season was a goodbye of sorts org
Levine, conducting from a chair on the podium, energetically led his orchestra, and following a Ring Cycle in which the horns occasionally showed signs of unsteadiness, they glowed here
Sunday's performance at Carnegie Hall clocked in at just over 90 minutes, not including the breaks between movements â€â€? four minutes faster than his March 2001 concert with the Met orchestra at Carnegie but still slower than most other renditions
The fourth movement adagio â€â€? Mahler said it should end beyond "adagissimo," the slowest possible â€â€? stretched out for 31 1/2 minutes, 3 1/2 shorter than his 2001 version
Listening to the music come to a crawl, it was breathtaking if not entirely convincing
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Like a father, Levine applauded his players with pride The woodwinds shimmered and the strings were sweet metopera It remains to be seen whether the change in job description, which occurs next season as he also becomes music director of the Boston Symphony Orchestra, leads to any transformation at the Met, where he has been the leading force since 1973
After 18 seasons as artistic director of the Met, James Levine is jettisoning the title in favor of music director, his position from 1976-86 For once, the audience responded with the space the piece deserves, waiting 15 seconds after the final note before beginning a six-minute standing ovation
