Find current Auditions in your area

Auditions . com

Find Auditions Search Current Auditions Auditions Home Page
I'm locked in a cage   - Project ID # 31818
Project Type   Music Video Submission Type   SRN
Location   Southfield MI Union   Non-union
Rate/Pay   n/a Release Date   04-27-06
Audition Date   12-31-69 Submission Deadline   04-29-06
Shoot Date   12-31-69    
Casting Category   Music Videos
Market(s)   Detroit, MI

I'm locked in a cage (Music Video)

Note: This is a self-response notification. If you fit the role criteria and are interested in this project, please see the submission info below the role description.
NOTE: ALL TALENT UNDER THE AGE OF 18 MUST BE ACCOMPANIED BY A PARENT OR LEGAL GUARDIAN AT ALL TIMES

Role # 1 - Male Submit yourself for this role
Seeking 1 talent(s) for this role
Man who works during the week as a banker and learned that his girlfriend is unhappy. He's in love and doesn't see why she's leaving him.

Searchable talent specs:
Gender: Male
Age: from 18 to 24
Ethnicity: Caucasian -

Role # 2 - Female Submit yourself for this role
Seeking 1 talent(s) for this role
She's fed up with her current life partner and leaves the house with her new found lover.

Searchable talent specs:
Gender: Female
Age: from 18 to 24
Ethnicity: Caucasian -

Role # 3 - Male Submit yourself for this role
Seeking 1 talent(s) for this role
He dresses as a circus performer everywhere he goes and likes the attention he's getting from the lady.

Searchable talent specs:
Gender: Male
Age: from 18 to 24
Ethnicity: Caucasian -


Find Auditions in your area - View this Casting Notice


Learn how to audition:
How To Find Auditions | Auditions tips | The Auditions process | How to do your best in Auditions | Dance Auditions


Find Auditions, Castings & Casting Calls

com/MSN/iview/msnnkhac001300x250xENT9AO00109msn/direct;wi com/i/rt_str-e This is not going to help sell tickets gif" alt="" height="15" width="16" border="0"><img id="ctrlRateNews_159237_RTS4" class="ib" onMouseOver="RMOv(this);" onFocus=RMOv(this); onMouseOut="RMOt(this);" onClick="ROC(this);" onKeyPress="ROC(this)" tabIndex=0 pid="ctrlRateNews_159237" src="http://entimg 250/01" frameborder="0" scrolling="no" marginheight="0" marginwidth="0" topmargin="0" leftmargin="0" width="300" height="250"><script language="JavaScript" type="text/javascript">document aspx%3fnews%3d159237&subject=MSN Entertainment - News - Moore Controversy&title=Email+This+Page&type=page" class="vl">Email This Page</td></tr></table></td></tr><tr><td><table cellspacing="0" cellpadding="0" border="0" style="border-collapse:collapse;padding-top:20px;padding-left:15px;"><tr><td><span id="ctrlRateNews_159237" style="visibility:hidden"><input type="hidden" name="rating" value="-1"/><table class="r-outer" border="0" cellspacing="0" cellpadding="0"><tr><td><table border="0" cellspacing="0" cellpadding="0"><tr><td valign="top"><table border="0" cellspacing="0" cellpadding="0"><tr><td><img id="ctrlRateNews_159237_RTI" src="http://entimg They start with an original premise or idea, and then I give the film a lot of latitude to decide which is the best direction to go in " Really? Yeah, like when this happened with "=/movies/movie com/i/play-btn atdmt msn write('="http://click " The Walt Disney Co Moore Controversy <FONT size=3>Maverick filmmaker Michael Moore on the heat behind '</FONT><FONT size=3>Fahrenheit 9/11'</FONT> <EM>By Gregg Kilday The Hollywood Reporter</EM> <SCRIPT src="http://video 300;hi We decided to make it about the larger issues, about where we are right now as a people after 9/11 com/i/rt_0 aspx?m=561592 class="art">Fahrenheit 9/11 gif" align=left border=0><STRONG>=javascript:oMvsLink('01','a884056e-4871-4313-96cb-2a750bdeb479,26531c6d-8ad9-46c5-a6b7-73498e08108b,4313d42e-092f-4a0f-9f55-051760fc9285,06f062ab-31d8-427d-8f3f-7821068b2b7b','','','','','','','','Entertainment_Movies'); class="art">Video: "Fahrenheit 9/11" Trailer</STRONG> =javascript:oMvsLink('01','26531c6d-8ad9-46c5-a6b7-73498e08108b','','','','','','','','Entertainment_Movies'); class="art"><IMG src="http://entimg When we tested the film in the Midwest, people were moved in a profound way and leave the theater thinking about their personal responsibility in terms of acting and behaving like a citizen in a democracy " I wouldn't go see that kind of movie msn com/MSN/view/msnnkhac001300x250xENT9AO00109msn/direct;wi <STRONG>THR:</STRONG> Once Disney refused to allow Miramax to distribute the film, did you have any moments where you've feared the film wouldn't be distributed? <STRONG>Moore:</STRONG> I've always been confident it would be released because I always figured I'd release it myself if worse came to worse Eisner will do this  refused to let Miramax Films, which funded the doc, release the film They're real good at generating publicity 2, that is an apple cart that is going to get upset, and that is what is making everyone around this film so nervous Did the movie morph in the making? <STRONG>Michael Moore:</STRONG> It evolved like all of my films evolve atdmt " I love Eisner's spin on this -- oh, we told him a year ago Moore spoke with The Hollywood Reporter film editor Gregg Kilday Really? Then why didn't one person in the press ask him, "Then why did you send him a check each month?" But I'm more worried about the chilling effect that this whole thing has had on people who aren't Michael Moore and who are thinking of making their movies and then rethinking it and deciding maybe it's best we don't make that kind of film because I'll never get it distributed 300;hi   <STRONG>THR:</STRONG> So part of the agenda of this film is to influence the election? <STRONG>Moore:</STRONG> Oh, sure, and (to influence events) after the election because the problems we have are still going to be with us regardless of who's in the White House msn There wasn't any way I was going to allow this film to be shelved If I penetrate even just 10 percent into that and wake them up and give them a reason to come out on Nov aspx?m=59160 class="art">Kids" and "=/movies/movie So a year from now, we're going to be in Iraq -- that's my guess, sadly atdmt com/i/rt_str-e No filmmaker wants to be told two months before the film is going to be released that you've lost your main distributor Remember we live in a country where 50 percent of the people don't vote gif" alt="" height="15" width="16" border="0"><img id="ctrlRateNews_159237_RTS2" class="ib" onMouseOver="RMOv(this);" onFocus=RMOv(this); onMouseOut="RMOt(this);" onClick="ROC(this);" onKeyPress="ROC(this)" tabIndex=0 pid="ctrlRateNews_159237" src="http://entimg msn <STRONG>THR:</STRONG> But since you knew Eisner had raised objections to the film a year ago, critics have charged the latest controversy has been a publicity stunt com/i/rt_str-e aspx?c=260710 class="art">Michael Moore's "=/movies/movie But now it is described as an all-encompassing look at American foreign policy post-Sept gif" align=left border=0>=javascript:oMvsLink('01','26531c6d-8ad9-46c5-a6b7-73498e08108b','','','','','','','','Entertainment_Movies'); class="art"><STRONG>Video: "Fahrenheit 9/11" at Cannes</STRONG> At the 2002 Festival de Cannes, =/celebs/celeb We started working on it before the Iraq War and as the war started to take shape, the movie also followed that I've been able to penetrate deep into a mainstream, middle-American audience, and that, I think, is what is at the core of this com/i/play-btn 11  Miramax's Bob and Harvey Weinstein then bought back the film and found three new distributors, Lions Gate Films, IFC Films, and Fellowship Adventure Group When's somebody going to call them on it? <STRONG>THR:</STRONG> So why do you think Disney objected to the film? <STRONG>Moore:</STRONG> The fundamental reason we don't have a distributor was because the report that Eisner received from the Disney executive (who saw the film April 23) is that this film isn't just going to stir up the choir, it's going to reach other people, and the word the executive used in describing it to Eisner was "explosive msn S gif" alt="" height="15" width="16" border="0"><img id="ctrlRateNews_159237_RTS5" class="ib" onMouseOver="RMOv(this);" onFocus=RMOv(this); onMouseOut="RMOt(this);" onClick="ROC(this);" onKeyPress="ROC(this)" tabIndex=0 pid="ctrlRateNews_159237" src="http://entimg msn I'll talk him into it <STRONG>The Hollywood Reporter:</STRONG> Initial reports said the film would focus on the relationship between the Bush family and the bin Laden family msn We decided not to make that kind of movie -- boring and predictable msn </td></tr></table></td><td valign="Top"><table class="adtbl" cellspacing="0" cellpadding="0" border="0" style="width:300px;border-collapse:collapse;"><tr><td><table cellspacing="0" cellpadding="0" border="0" style="width:300px;border-collapse:collapse;"><tr><td align="Right" style="color:gray;font-size:7pt;">advertisement</td></tr><tr><td><!--BeginAd(ENT9AO,MediumShowcase)--><iframe src="http://view So it is a combination of the Saudi and bin Laden connection but also in terms of how it affected (George W aspx?m=82841 class="art">Dogma," all that publicity, all the controversy, really made the box office soar for those two films, didn't it? They both died js"></SCRIPT> =javascript:oMvsLink('01','a884056e-4871-4313-96cb-2a750bdeb479,26531c6d-8ad9-46c5-a6b7-73498e08108b,4313d42e-092f-4a0f-9f55-051760fc9285,06f062ab-31d8-427d-8f3f-7821068b2b7b','','','','','','','','Entertainment_Movies'); class="art"><IMG src="http://entimg <STRONG>Moore:</STRONG> (The mainstream media has said): "Oh, this is a Michael Moore/Harvey Weinstein publicity stunt 250/01/" target="_blank"><img src="http://view The film spends a lot of time posing questions, not necessarily providing answers, but asking the audience to join in and try to figure out what the answer is In this case, it started with me thinking it was kind of strange that the bin Laden family that was here in the U msn I'm curious why it's reported that way instead of: What the hell is Disney doing here? These media companies are given a public trust, and part of the arrangement with this society is that, OK, we'll accept the fact you can have private control over information, but in giving you that private control and allowing you to make profits, you are to allow all voices to be heard at the time (of 9/11) got assistance from the White House in collecting members of their family and getting them out of the country While I've known since the beginning that there was going to be potential conflict between (Disney CEO) Michael Eisner and Harvey Weinstein, Harvey through the whole year kept saying to me: "Don't worry msn (The film is) not just about "Let's get rid of Bush It encourages self-censorship, and I hate to see that take place com/js/vp aspx?m=492753 class="art">Bowling for Columbine" was greeted with a prolonged standing ovation gif" alt="" height="15" width="16" border="0"></td></tr><tr><td style="padding-top: 3px"><span id="ctrlRateNews_159237_RT2" class="r-cap1">&nbsp; ) Bush's decisions both on the war on terror and the Iraq War Nobody has pointed out the extreme irony of Disney saying they don't want to get involved in a partisan film in a political year when they syndicate the Sean Hannity radio show, they carry Rush Limbaugh on their ABC-owned stations, the ABC Family channel carries Pat Robertson every night 250/01/" />'); </script></iframe><!--EndAd--></td></tr></table></td></tr></table><table class="adtbl2" cellspacing="0" cellpadding="0" border="0" style="width:180px;border-collapse:collapse;"><tr><td><table cellspacing="0" cellpadding="0" border="0" style="width:180px;border-collapse:collapse;padding-top:20px;padding-left:15px;"><tr><td><table class="bg5_1" cellspacing="0" cellpadding="0" border="0" style="border-collapse:collapse;"><tr><td class="bg5_2">&nbsp;</td></tr><tr><td class="bg5_3"><table class="bg5_4" cellspacing="0" cellpadding="0" border="0" style="border-collapse:collapse;"><tr><td><table class="mh_outer5" cellspacing="0" cellpadding="0" border="0" style="width:150px;border-collapse:collapse;"><tr><td><table class="mh_inner5" cellspacing="0" cellpadding="0" border="0" style="width:100%;border-collapse:collapse;"><tr><td><span class="mh_txt5r">More in Celebs</td></tr></table></td></tr></table><table class="box_wt5" cellspacing="0" cellpadding="0" border="0" style="width:150px;border-collapse:collapse;"><tr><td class="tb5" valign="Top"><a class="vl6" href="/photos/">Photo Galleries</td></tr><tr><td class="tb5" valign="Top"><a class="vl6" href="/interviews/">Celebrity Interviews</td></tr></table></td></tr></table></td></tr><tr><td class="bg5_2">&nbsp;</td></tr></table></td></tr></table></td></tr><tr><td><table cellspacing="0" cellpadding="0" border="0" style="width:180px;border-collapse:collapse;padding-top:20px;padding-left:15px;"><tr><td>="/email/?url=http%3a%2f%2fentertainment I haven't heard John Kerry explain what the exit plan is 300;hi com%2fmovies%2farticle gif" alt="" height="13" width="71" border="0"></td></tr><tr><td style="padding-top: 3px"><img id="ctrlRateNews_159237_RTS1" class="ib" onMouseOver="RMOv(this);" onFocus=RMOv(this); onMouseOut="RMOt(this);" onClick="ROC(this);" onKeyPress="ROC(this)" tabIndex=0 pid="ctrlRateNews_159237" src="http://entimg gif" alt="" height="15" width="16" border="0"><img id="ctrlRateNews_159237_RTS3" class="ib" onMouseOver="RMOv(this);" onFocus=RMOv(this); onMouseOut="RMOt(this);" onClick="ROC(this);" onKeyPress="ROC(this)" tabIndex=0 pid="ctrlRateNews_159237" src="http://entimg My time is limited -- I don't have to go sit in a theater for two hours to know that Bush has to go com/MSN/go/msnnkhac001300x250xENT9AO00109msn/direct;wi But that promises to pale next to the international media storm swirling around his newest documentary, "=/movies/movie " Harvey said to me, "It's the most dangerous film he's ever released" -- it's explosive in the sense that over the last few years I have crossed over and reached a much wider mainstream audience than anyone from the left usually does com/i/rt_str-e com/i/rt_str-e