Find current Auditions in your area
Shirley Valentine
- Project
ID # 31630
| Project Type |
Live Event
|
Submission Type |
Open Call
|
| Location |
North Conway, NH |
Union |
Non-union
|
| Rate/Pay |
n/a
|
Release Date |
04-25-06
|
| Audition Date |
12-31-69
|
Submission Deadline |
05-18-06
|
| Shoot Date |
12-31-69
|
|
|
| Casting Category |
Theatre - Non-Equity
|
| Market(s) |
Boston ,MA |
(Performances July 7, 8, 14, 15, 21 & 22)
NOTE: ALL TALENT UNDER THE AGE OF 18 MUST BE ACCOMPANIED BY A PARENT OR LEGAL GUARDIAN AT ALL TIMES
|
|
|
|
Seeking 1 talent(s) for this role
|
| |
|
|
(Part available for 1 Woman 40-55)
|
Searchable talent specs:
Gender: Female
Age: from 40 to 55 |
|
|
|
Find Auditions in your area - View this
Casting Notice
Find Auditions, Castings & Casting Calls
Ghoulish "Gazes/Visions" (Schoenberg called them "Gazes," Kandinsky called them "Visions") are paintings of mostly disembodied eyes; "Hands" is painted with mostly dull hues org
Arnold Schoenberg Center: www
An exhibit of over 60 works, it is divided into several themes: Kandinsky's progression toward abstract painting; Schoenberg's works of music and art; and the paintings of Kandinsky's Blue Rider art group The colors' power to agitate reflects Kandinsky's exploration of the then popular notion of synesthesia, in which colors evoke specific feelings and emotions
Paintings Kandinsky did before "Impression III" are also characterized by vivid colors, energetic brushstrokes, flat perspectives and an absence of recognizable images
The Russian-born Kandinsky, a student of law and ethnography and a trained musician, came to Munich to study art in the late 1890s
Their respective work became more structured in the 1920s: Kandinsky painted clear, geometric forms and Schoenberg developed the 12-tone music system
Although the artists' styles varied, what unified them was their exploration of color and its symbolic, philosophical and spiritual meanings By the beginning of the 1900s, his painting style was moving from traditional representation to abstract expressionism 2, 1911, of the Viennese composer's "Second String Quartet" and "Three Pieces for Piano, Op Museum Show Links Kandinsky, Schoenberg
Nov 12, 4:42 PM EST
The tense, energetic painting composed of seemingly random color patches, with hints of people, was Vassily Kandinsky's enthusiastic depiction of a concert of Arnold Schoenberg's music
The museum is also showing Blue Rider paintings, including the almost pop art depiction of Jesus Christ in Albert Bloch's "Head" (1911), Franz Marc's comical "Yellow Cow" (1911) and August Macke's "Colored Forms I," a patchwork of colorful, geometric shapes
The exhibit will not travel The goal of this group was to be more expressive and more liberated from traditional representation All seem to be on top of one another
Schoenberg was also part of the Blue Rider art group, formed by Kandinsky and fellow artist Franz Marc in 1911 jewishmuseum Some people recline, some ride reptilelike horses, some look on at the riders, others engage in other activity at</p >
The exhibit is also the first American showcase of Schoenberg's paintings, which have been widely shown in Europe since the 1990s schoenberg
Kandinsky immediately produced "Impression III (Concert)" after attending the Munich premiere on Jan Facing them are dark watercolor sketches of his operas
â€â€?â€â€?â€â€?
On the Net:
The Jewish Museum: www
Kandinsky's and Schoenberg's friendship continued until the painter's death in 1944 In the 1920s, it was interrupted after the composer heard that Kandinsky made anti-Semitic remarks, which the painter vehemently denied The short-lived group, disbanded when World War I began, had two exhibitions and an almanac printed of their work and ideas
12, 2004
In the "Musical Interludes" section are Schoenberg's more gentle, impressionistic portraits of friends and family, such as his first wife, Mathilde, and composer and brother-in-law Alexander von Zemlinsky A catalog with a CD of Schoenberg's music accompanies the show 11
Largely self-taught in painting, as in music, Schoenberg's work was influenced by his Jewish identity (he converted to Protestantism as a young man but returned to Judaism in 1833); Freud's psychoanalysis; Viennese abstract expressionists, such as Egon Schiele and Oskar Kokoschka; and the political and social turmoil of the times
The two artists' common view is at the heart of "Schoenberg, Kandinsky, and the Blue Rider," on view at the Jewish Museum from through Feb
He painted only within a brief period before World War I, largely to find solace from the harsh criticism of his music, which was considered controversial in Vienna, a center of classical music " The compositions' jarring lack of harmony crystallized the style by which the painter wanted to directly portray emotions and feelings in his own work " The painting's ovallike figures, some filled in with color, are the musicians and the audience; black is the piano
"Kandinsky compared yellow to blares of trumpets, black to dead nothing," says Fred Wasserman, co-curator of the exhibit and associate curator of the museum, explaining the jolting effect of "Impression III
Placed in the exhibit's "Schoenberg as Painter" section, are his nearly identical, grim self-portraits, looking like identification photos Some of these paintings, on loan from museums and private collectors, are reunited for the first time since the first Blue Rider exhibit The oil study for "Composition II" (1909-1910) â€â€? the original was destroyed â€â€? is a disorienting image of a countryside with near-shapeless people, some wearing hooded robes; the topography is distinguished by colors and whimsical outlines
